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Tuna
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"Rambling Rose"
Rambling Rose (1991) is a redo for me, and I can't think of much to add to my old review. The film stars stars Laura Dern as a troubled young girl in 1935 who comes to live with a genteel family and help watch kids and assist with the housework. The father, Robert Duvall, and the oldest son (who is in the throws of puberty) notice immediately that Rose radiates charm, cheerfulness and sex appeal. When Daddy (Duvall) comments "Rosebud, I swear to God you are as graceful as a capital letter `S.' You'll give a glow and a shine to these old walls," she falls instantly in love with him. The first time the mother, Diane Ladd, leaves for the evening, Rose throws herself at Daddy. After fondling her bare breast, he has the sense to stop himself, which makes him all the more moral to the three children who have been spying on them. Later that night, Rose visits The oldest son, Buddy (Lukas Haas) in his bed, hoping to get some of the guilt off her chest. It is her chest that interests Buddy as well, and he not only gets to first base with her, but gets her off with his hand as well. Here is where we learn that Rose can't say no.
Daddy sees what a threat Rose is to the happiness of his family, and is not sure how long he can resist her. He would like nothing more than to fire her, but the rest of the family, especially his wife, will not hear of it. When Rose decides to look outside the family for the "man of her dreams," her promiscuity causes still more trouble for the family and strengthens Daddy's resolve to fire her. This pretty much sets up the conflict that drives this wonderful character driven drama. I highly recommend it, and don't want to give away the entire plot. I am not alone in liking it. Maltin and Ebert both say 3 stars, Apollo says 80, Apollo readers say 81, and IMDb readers say 6.8/10. US gross was $6.266m. I don't know what the budget was, but director Coolidge mentions frequently that budget constraints affected artistic decisions.
Director Martha Coolidge (Valley Girls, Introducing Dorothy Dandridge, etc) did an amazing job with the screenplay adapted by Calder Willingham from his own autobiographical novel. She also provides one of the better commentary tracks I have heard on the DVD. Young Lukas Haas (Whitness) as Buddy showed acting ability far beyond his years. Robert Duvall was perfect in the roll of Daddy, and Diane Ladd was nominated for Best Supporting Actress for her portrayal of a very complex character. Dern was nominated for Best Actress, which marks the first time a real-life mother and daughter have been nominated for Oscars in the same film. This is my choice for Dern's finest performance. I doubt that any man could watch her as Rose and not be completely captivated by the character. She shows clear breasts in two scenes, pokies and breast see-throughs in others, and wears the hell out of a nearly transparent dress walking through main street looking for "the man of her dreams." You can't help but stare, much like you would if you were really there, but it is well worth the effort. Daddy observes her pick an attractive young man, and go in for the kill. He comments that she strikes like a cobra.
The DVD is marvelous, with deleted scenes, biographies, trailer, full length commentary, and an alternate ending. The film is visually appealing, and the DVD transfer is credible. Director Coolidge clearly understands cinematography, and worked closely with DP Johnny E. Jensen and Art Director Christian Wagener and set decorator Robert Gould to produce the look and feel. Elmer Bernstein provided a suitably subtle score, and an early Louis Armstrong recording of Dixieland was used as a sort of theme song. Unable to find a suitable master of the Armstrong recording, they carefully remastered the only 78 recording they could find. This attention to detail is one of the reasons Coolidge succeeded so well with Rambling Rose.
IMDb readers have this at 6.6 of 10, by the score goes up to 7.2 for those over 45. Ebert wrote an enthusiastic review, and awarded 3 stars. This is basically a character driven piece, and, even though serious issues are covered, the story is told with a lightness that makes it a total joy to watch. This is either a very high C+, or a B-.
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Laura Dern
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"Thunderbolt and Lightfoot"
Thunderbolt and Lightfoot (1974) is a lackluster Clint Eastwood testosterone film. Clint and his sidekick Lightfoot are supposed to be loveable bank robbers, and part of the reason is that one of their associates (played by George Kennedy) is such a creep that they look good by comparison. This device just made Kennedy a two dimensional character with no depth, and I still couldn't relate to either Thunderbolt or Lightfoot. Eastwood nearly slept through his performance. They decide that banks are too much like work, and elect to rob something easy like a state armory.
The short exposure was from three actresses. The first, June Fairchild as a pickup date who is dressing after sex with Eastwood. The second (Luanne Roberts) is a "housewife" flashing workmen through a sliding glass door. The last (and best) is from a supposedly-teenage daughter (Leslie Oliver) being tied up and gagged by Kennedy. Jeff Bridges was nominated for a Supporting Actor Oscar. The film was set in a very dreary Montana, and was undersaturated and lacked contrast throughout. I should have enjoyed this film. I like buddy/caper films, and enjoy all of the leads. Much of it is played for humor, but the jokes fell flat due to poor timing. IMDb readers have this at 6.8 of 10, so my reaction is obviously not typical. I thought the same story could have been told much better, and more care should have been given to character development. This is a C-.
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June Fairchild
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Leslie Oliver
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Luanne Roberts
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Johnny Web (Uncle Scoopy)
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.wmv clips:
- I guess Laetitia Casta's 15 minutes of fame have just about
expired, but I suppose she only got seven and a half minutes
because, to paraphrase Mr Tyrell, the light that burns twice as
bright burns half as long - and she burned so very, very brightly.
Here she is in Gitano.
The Associate
The Associate is Tootsie in reverse. It doesn't start out that way,
but that's where it ends up.
Whoopi Goldberg plays the best financial advisor in New York, a
brilliant analyst who is locked out of the big time in the
investment world because she is a funny-lookin', dreadlock-wearin',
Annie Hall-dressin' little black woman. Her white male associates
steal her ideas and weasel their way into upper management.
There is only one way for her to get around the
problem of not being a good old boy. She becomes one. At first she
just creates a fictitious one as her partner. She opens her own firm
with the non-existent middle-aged white man as her unseen partner.
She goes to great pains to create a complete life for her missing
partner, one that will dazzle her prospective clients, including big
game trophies, Harvard diplomas, pictures autographed by JFK and Joe
Montana, etc. The fictional "Robert Cutty" is invariably "out of the
office" when people call, because he is taking lunch with the
President or the Pope or Alan Greenspan or somebody equally
important.
Unfortunately, Whoopi's imaginary white male
partner ends up undermining her just as much as the real ones always
had. All the male clients want to do business with someone like
themselves, therefore with the unseen white-haired financial guru, and not the quirky
sista, so the situation
evolves to a point where Whoopi can no longer avoid face-to-face
meetings.
Up until that mid-point in the film,
the script had been a reasonably tidy little light comedy/drama with
some social commentary, ala Trading Places. Whoopi did a good job of
managing the central conflict, the fact that her partner was never
there. There were some cute cameos from Donald Trump and other New
York celebs, and the film was rolling alone fairly well. The
ultimate corporeal appearance of the previously unseen Cutty,
however, changed the nature of the film and created a high hurdle in
the middle of what had previously been a sprint on flat ground. The
focus of the viewers' attention suddenly became, "Can Whoopi Goldberg play a senior white male financial
guru convincingly". The answer is a qualified "yes". Whoopi did a
surprisingly good job with the voice, the mannerisms, the body
language, and the walk. She is not Dustin Hoffman, but you could
believe that she really might fool her business acquaintances for
short periods of time in the right circumstances. Sadly, the make-up
department really let her down. She looked like she was wearing
Chief Dan George's death mask, complete with pony tail. (In fact,
now that I think about it, she looked exactly like an older version
of The Indian in Body Double, another character which was formed by
a latex disguise.)
This was unfortunate for two reasons.
First, because it spoiled the illusion of credibility that she had
been maintaining, thus spoiling the fun of the film. Second, and
possibly even more important, it revealed that the writer didn't
know what the hell he was doing, thus spoiling the film's serious
points as well. For the ruse to work in real life, Whoopi would have
needed to be not only ANY white man, but a specific type of white
man. In order to fit in with her clients, she needed to be
conservative, clean-cut, and distinguished but not flashy, ala
Donald Rumsfeld. The REAL corporate world would have found the
eccentric hippy-looking old Cutty to be no more acceptable than
Whoopi's own natural appearance. The screenwriter's blissful
ignorance of this point made the second half of the film play out
like some third-rate effort in 60s theater of the absurd, after the
first half had made some pretty nifty little social observations.
'Tis a pity.
More's the pity that the film was
also missing a vital comic spark. Whoopi's cronies and confidantes were
earnest, unfunny Dianne Wiest and the stock transvestite best friend
necessary in all such movies to provide disguises. In other words, the usual suspects.
Tootsie, on the other hand, had wisecrackin' Bill Murray to comment
on the action, and thus to turn the alleged comedy into an actual
comedy by adding a little thing we comedy buffs like to call
"laughter". There was no Bill Murray to be found in this cast.
The final problem with the film is
that it fails to meet the minimum requirement for a cross-identity gimmick
because
one of the two identities has no personality. In Tootsie, Dorothy
Michaels is actually more interesting than Michael Dorsey, despite
the fact that she doesn't exist. The same is true of Mrs Doubtfire.
In this film, the fictional character is a cypher, nothing but a
voice coming from underneath some latex, and not someone that we
think we know.
So the film came and went without being noticed, and
is now only vaguely remembered. In truth, The Associate is not a horrible
movie at all. It is a pleasant enough watch. If the script had created a
real Robert Cutty, with his own personality, the clean-cut
appearance of a respected financial magnate, and a decent make-up
job, Whoopi might have been able to mold this into something
special, because she seemed to be able to play a man without
artificiality. If the writers had then replaced Dianne Wiest with
somebody with a gift for wisecracks, ala Carole Lombard in those 30s
films, the film might have been able to attain classic status. As it
is, it's unremarkable and unmemorable, a chicken soup movie.
Bebe Neuwirth, best known as Lilith from
Frazier and Cheers. It isn't real honest-to-goodness nudity, but her entire bum is on screen in two different
scenes which show her in Victoria's Secret thong underpants. (1,
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OTHER CRAP:
-
The psychological disorder of the 21st century -
anorexigeminophobia - fear of the Olsen twins.
-
The good news: festival organizers have finalized
the dates for the 8th annual George Goober Lindsey Film Festival.
The bad news: you just missed this year's festival, which was two
weeks ago.
- Speaking of Goober:
Tennessee bumpkins reverse ban on homosexuals.
"I've never seen nothing like this," said the county attorney.
That's a direct quote! I'll guess that the county attorney must be
among the best educated 1% of the county, so if he talks like
Goober, you can imagine how the average people talk in that
county.
-
House hunting with the Beckhams
.
-
Two British people spend $300,000, undergo 89
operations, to transform themselves into Barbie and Ken.
...
Comment (0)
-
More than half of British adults have had sex in a
public place. Like
the back seat of a Volkswagen? I think you can see two of them
below, trying to mate while wearing panda suits. Kinky!
-
Pamdas try to mate at National Zoo.
I'm no expert on the physiology of pandas, but I think they need
to try a different position from the one pictured here.
-
Movie House looks at The Associate - Whoopi
Goldberg plays a man.
- Spectacular photo, interesting
write-up.
Io, one of Jupiter's Galilean moons, in true color
-
The top twenty guitar riffs of all time, from Total
Guitar magazine.
- VIRUS ALERT:
SANS - Internet Storm Center - Sasser Worm
-
Intel CEO offers a very incisive analysis of why US
jobs are migrating overseas.
-
Finland has disappeared. Check with Germany.
- URL says it all:
TexasBeachFlashing.com
-
Sexual positions illustrated.
-
Selective Service System: Rules for Transsexuals:
"For individuals who have had a sex change. You must indicate what
gender you were born as, and attach documentation which indicates
this as well."
-
Several more larger pics of the Mouseketeer tanning
on London hotel roof
in bikini *bum cleavage*
-
What does nitroglycerin have to do with heart
attacks?
-
Dan Castellaneta - the voice of Homer Simpson -
what does he look like?
-
The ensemble voice cast 'The Simpsons' has finally
inked a new four-year deal with the show's producer.
.
-
The trailer from Carolina:
"Julia Stiles stars as a young woman from the South who escapes
her wildly eccentric family and moves to California. Once there,
she meets two men who both fall in love with her. She must choose
the one who will provide her with the happiness she seeks."
(Straight-to-vid)
-
The trailer for Harold & Kumar Go to White Castle:
"In the great cinematic tradition of 'Road Trip' and 'Dude,
Where's My Car?' comes 'Harold & Kumar Go to White Castle,' which
follows two likeable underdogs who set out on a Friday night quest
to satisfy their craving for White Castle hamburgers and end up on
an epic journey of deep thoughts, deeper inhaling and a wild road
trip as un-PC as it gets. John Cho ('American Pie 1 & 2') and Kal
Penn ('Malibu's Most Wanted') take on the title roles in the film
directed by Danny Leiner ('Dude, Where's My Car?'). "
- Whatever happened to ....?
Carlos the Jackal - still crazy after all these
years.
- Whatever happened to ... ?
Actress Teri Garr offers optimism for MS sufferers.
-
Britain's MI5 launches a counter-terrorism website,
recommends locking unoccupied cupboards and keeping restrooms
tidy. I swear I
didn't make it up. The link goes to their actual website, to the
specific page with the recommendations.
- Baby, if you ever wondered,
wondered what ever became of me.
I'm livin' on the stage in Cincinnati .. er ..
Chicago. Gary Sandy
(Andy from WKRP) unrecognizeable in a play called Bleacher Bums.
-
Germany's Bild Magazine welcomes the ten new EU
members with ten nekkid chicks - one from each country!
(w/pics) .
-
The Trailer for Resident Evil 2: Apocalypse
-
The trailer from The Notebook
(Romantic drama. Adaptation of Nicholas Sparks's novel)
-
Four clips from "The Final Cut"
-
Declaring 'enough is enough,' Pedro Martinez closed
the door on contract negotiations with the Red Sox,
saying he will enter free agency after the season and play next
year where he is wanted, even if it's the Bronx."
-
Arnold Schwarzenegger doesn't want to be a
bobblehead, but the
California state geneticist tells him he's stuck with the
bobblehead chromosome.
-
Here's the trailer for Around the World in 80 Days
- opens mid-June. The look of it is impressive, as you would
expect from a Disney flick. The script? Ehhh ... not so much.
-
2004 Latin Music Awards - not one Gregorian Chant!
How can you honor the great Latin music without a nod to the
Tantum Ergo (The Franciscan Choir version, not the one by Air
Supply).
-
Spiegel analyzes American politics in "Herr Nader -
Dipschtick oder Dushnosel?"
(Great picture!)
-
T-Wolves finally win a post-season series.
-
Robosaurus', a 40-foot-tall, 30-ton mechanical
robot, breathes fire after eating a car during a demonstration at
Airfest 2004. "Battlebots"
would be pretty cool if they played with these. On the other hand,
it reminds me too much of the movie version of Wild Wild West.
Other Crap
archives. May also include newer material than the ones above,
since it's sorta in real time.
Click
here
to submit a URL for Other Crap
MOVIE REVIEWS:
Here
are the latest movie reviews available at scoopy.com.
- The yellow asterisks indicate that I wrote the
review, and am deluded into thinking it includes humor.
- If there is a white asterisk, it means that
there isn't any significant humor, but I inexplicably determined
there might be something else of interest.
- A blue asterisk indicates the review is written
by Tuna (or Junior or Brainscan, or somebody else besides me)
- If there is no asterisk, I wrote it, but am too
ashamed to admit it.
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Shiloh
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Words from Scoop.
.avi's from Shiloh.
.wmv files made by Scoop from Shiloh's .avi's.
Potpourri
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Alice Krige, the Borg queen, in the rarely-seen
Scarlet and Black. (.avi, .wmv)
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A classic: Kathleen Turner in
Crimes of Passion.
High camp Ken Russell fantasy featuring Norman Bates as ... well ...
pretty much as Norman Bates. (.avi, .wmv).
-
Robin Tunney in
Cherish - a movie
remarkable mainly for having deliberately chosen Dave Barry's
all-time worst songs as its soundtrack! Features a dance number to
"Seasons in the Sun". It is actually a decent little flick, despite
passing to video unnoticed. (.avi, .wmv)
Perhaps these tips will help if you have trouble
with the codecs for these movies:
Shiloh says:
FYI when I hypercam vids to make the file size smaller I use
DivX MPEG-4 Fast-Motion for the video compressor, then I use
virtualdub to compress the audio. The properties for the
vids says the video codec: DivX Decoder Filter & audio
codec: Morgan Stream Switcher which I'm not familiar with.
When I compress the audio with virtualdub I use MPEG
Layer-3. A friend of mine told me about compressing the
audio about (6) mos. ago. Like I said previously, only been
capping for a year & a half & I'm no expert. Hopefully this
info will help members with the proper codecs for my vids.
When I cap big brother's I use hypercam mostly & sdp &
asfrecorder if the set up allows me. I stopped using
camtasia cause the file sizes were always too big, could
never figure out the process, over my head lol, plus it cost
too much to buy in my opinion.
A reader says:
You mentioned that some users were
having trouble with the videos on your site. There is a tool
designed to determine what codec is needed for a video.
http://www.headbands.com/gspot/ Hope this is useful to you
or your users.
Scoop says:
I made the .wmv versions of each video. The codecs for these: Windows Video V8, Windows Audio 9.
The upside of these is that you know the codecs, and they'll play in
the Windows Media Player. The downside is that they are slightly
larger, and slightly lower quality.
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Graphic Response
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Be sure to pay Graphic Response a visit at his website. www.graphic-barry.com.
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Spaz
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'Caps and comments by Spaz:
"11th Hour: episode Georgia"
The most racey tv episode to air this year
on network television in English Canada.
"Nothing too Good for a Cowboy"
Pilot for the quickly forgotten television series.
"Adventure Inc: episode Message from the Deep"
Typical episode with Karen Cliche running around
in a revealing outfits and female guest star likewise.
"Trailer Park Boys: season four"
Season one is currently showing on BBC America
but with all the swearing bleeped out.
Miscellaneous:
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Dann
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'Caps and comments by Dann:
"Blood Gnome"
This 2002 direct-to-video horror flick was apparently made by the S & M community, because it's basically a commercial for S & M. It's also a really badly done less-than-B soft core porn flick.
The plot follows a really lame and poorly played crime scene investigator as he realizes that a rash of sex murders are not the work of humans. It's a poorly produced mess, but there was plenty to cap, and there's plenty to watch. Just be sure to have the fast-forward button handy, because the nudity and bondage scenes are about the only thing worth watching.
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Mr. Nude Celeb
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Mr. Nude Celeb takes a look at the ladies from Season 4 of "The Sopranos".
- Drea de Matteo, shaving her legs in link #1, showing cleavage and wearing a red bra in 2 and 3.
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- Jamie-Lynn DiScala (Sigler). Meadow Soprano wearing a bikini top in links 2 and 3.
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2,
3)
- Leslie Bega...topless in links 1-5. Showing pubes in #5 and showing rear nudity in #6.
(1,
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- Lola Glaudini, excellent cleavage in both.
(1,
2)
- A topless unknown. Unfortunately we have to see Tony Soprano with his shirt off too.
(1,
2,
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Variety
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Jessica Alba
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Paparazzi pics of the incredibly beautiful Alba. Links #1 and #2 feature Alba in a bikini at the beach. Link #3 shows a little plumber butt.
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Jennifer Connelly
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The unofficial queen of the Fun House showing pubes in scenes from "Requiem for a Dream" (2000).
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Ioanna Pappa |
Topless in 'caps from the Greek movie "Loser Takes All" (2003).
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Nikki Cox
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DeVo 'caps of a young and busty Nikki showing tons of cleavage on the show that made her famous, "Unhappily Ever After".
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Rebecca Romijn |
The "X-Men" star wearing a very lo-cut dress with some great partial breast exposure at a Hollywood event. Thanks to Squiddy.
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Charlize Theron
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Señor Skin 'caps of the Oscar winner and all around mega-babe showing off her first class posterior in scenes from "The Cider House Rules".
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