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"Holy Smoke", from Johnny
Web
Actually, I didn't do
anything here except place four to a picture. A
guy named Squirrel did the bootlegs, and I didn't
have time to add any variety images or anything.
This looks like it will be a beautiful film to
capture once a DVD is available. The image on the
top left of collage #1 is absolutely beautiful,
even on a bootleg, and Kate is stark naked in
some images. You will find nudity only in #1. (1, 2, 3)
"Ride
With The Devil", from Johnny Web
Again, I didn't really
contribute to Squirrel's bootlegs. This is a
different kind of bootleg, based on film cels
scanned with a slide scanner, something I've
wanted to try myself. Does anybody have any tips
on how to do this?
Incidentally, although
people have said there is nothing to see in this
scene, that may not be accurate. It appears to me
that Jewel's nipple may be visible in
the top left image.. The scene isn't really erotic,
but I think it's quite a stimulating series of
images. Jewel looks very appropriate for the
period. I heard good things about this movie,
which I haven't seen, but it came and went with
barely a ripple.
"Final
Analysis", from Tuna
Tuna's comments:
"Final Analysis is a murder mystery
Hitchcock wanabee that doesn't make it. Richard
Gere is a psychologist who has an affair with the
sister of one of his patients. Intrigue ensues,
but not that much. I can't remember why I watched
it. Oh, yeah - Kim Basinger gets naked."
Tuna's thumbnails for this movie Kim (1,
2,
3,
4,
5,
6,
7,
8,
9)
"Mallrats",
from Tuna
Scoopy's note - as I've
mentioned in the past, Kev's great writing and
his own performance as Silent Bob more than atone
for his directing, which is the cinematic
equivalent of a garage band. I think there are a
lot of laughs in the movie, but even if you hate
the rest of it, the whole thing is worth watching
just to see the world's most famous stoners, Jay
and Silent Bob (whoa, Spicoli, you're yesterday's
papers, dude), kick the shit out of the Easter
Bunny. Tuna's thumbnails for this movie Joey Lauren Adams (1,
2)
Priscilla Barnes (1,
2,
3)
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