Another Day, Another Man

Gigi Darlene and Darlene Bennett reappeared in Wishman’s Another Day, Another Man (1965) but only in an odd insert that has them dance around in bras and panties.  No exposure, but they do look great.

Also unexposed or barely so are the two stars of Another Day, Barbara Kemp and the endomorph to end all endomorphs, Mary O’Hara.  They play roommates.  Barbara spends some time in a black lace body suit and some more time in white lace lingerie, both of which managed to hide 98% of her, 98% of the time.

Mary strips down to bra and panties a time or two but gives up nothing more.

The movie, itself, is not the least bit memorable, which means I cannot remember how or why Mary is so tormented throughout its runtime.  Don’t’ know.  Don’t care.  For us, it is just another lost opportunity to make a Funhouse-worthy classic. Another Day had me wondering, however, had Barbara Kemp and the bountiful Mary O’Hara appeared in the buff sometime in their careers?  Well, here we have the late, great Tuna to the rescue.

The Girl From S.I.N.

1966

Tuna captured a topless Mary O’Hara in The Girl From S.I.N., in which she made clear what a misnomer is the word, topless, when we use it to describe her.

Unholy Matrimony

1966

What about Barbara Kemp, then? Tuna grabbed a lot of frames from movie called, Unholy Matrimony, and even though he wasn’t sure about the gals in a topless pool party scene, he posted a bunch of images of them.  Well, one of those topless gals was Barbara Kemp, so there we have her with the twins out. 

 

A brief aside, here: An actress named Monica Davis, who appeared in several grindhouse movies rather late in her career (her first movie on IMDb came out in 1948), was also in Unholy Matrimony

The same Monica Davis appeared again in a movie called ....

The Hookers

1967

In fact, let me go farther aside and make an important point that throughout the many years that Uncle Scoopy has put together the thousands of issues of the Funhouse, several imagers have made it a point to post pics and clips of nekkid gals that they could not identify.  But with the passage of time, we sometimes figure out who they are. 

A good example of this form of progress is the movie ...

Mini-Skirt Love

1967

Tuna posted a shit-ton of pics of two uncredited actresses who spent a lot of time in some state of undress.  One of them made a few other movies in which she is credited, so a little time and a little effort leads us to identify her as Bella Donna.

A second woman – a one-hit wonder – shows up in IMDb as Mercedes DeMorcerf (she or her agent appears to have a fan of Alexandre Dumas).

A broader point is the richness of the Back Issues – they make up a living history of cinema nudity that can keep a boy amused for hours on end.  Or, as Hobbes said to Calvin, there is treasure everywhere you look.

Anything for Money

1967

The story here has a gal played by Joanna Mills talk her husband into fucking her rich aunt so that they can grab her fortune.  Joanna also cavorts with a young studly guy and goads him into forcing himself onto her aunt’s business manager, played by Peggy Steffans.  In the meantime, everyone seems to hang out at a local bar in which loose women walk around in lingerie. 

For most of the movie, we don’t see much.  Joanna is topless as the beginning credits roll.

Grindhouse veteran, Janet Banzet plays one of the bar’s loose women, which has her dance topless with a pair of uncredited actresses.

And Joanna’s aunt, played by former burlesque star Patti Paget, takes off her top as Joanna’s hubby puts on the moves. 

 
That’s it for maybe 70 minutes of the movie’s runtime.  But then in the last ten minutes, we hit the motherlode.  We see Peggy Steffans topless as two of the bar’s loose women loosen her up.

We see Joanna Mills topless again with her boy toy.

 

And then we see Joanna cavorting with the pair of bar girls.

Here is the point: Barbara Kemp plays one of the topless bar girls – and try as she might to hide them, her bodacious set of tatas cannot stay in the background.

 

 

BTW, this last scene, filled with skin, is a classic story of comeuppance.  Joanna has played the sociopathic mastermind throughout the movie, but in the end, her husband leaves her for the aunt she sought to scam and Joanna’s young stud leaves her for Peggy, the woman she looked to destroy.  And so Joanna is left to slink away with the two bar girls, and join them in the lonely life of depravity.  Every movie has some element of revenge to it, but shee-it, this is some harsh stuff.

 

 

Time for another brief aside, thanks to Tuna and another long-time contributor, Hankster, who each added to the Peggy Steffans nudography:

The Love Merchant

1966

 Tuna grabbed Peggy Steffans in this film

and he also sent in pics of a long slender woman with certain enhancements, named Peni Payton.

The Touch of Her Flesh

1967

Hankster captured Peggy Steffans in this film, in which she bares her bum but not much else (at the time, Hankster, did not recognize her, but Peggy is a very attractive woman with a distinctive face, so there is no mistaking her).